Lithograph on Paper - Faun and fairies, Max Pietschmann (18...

Estimate

£1,500 - £2,000

Lithograph on Paper - Faun and fairies, Max Pietschmann (1865 -1952). 65x46cm
Max Pietschmann studerede pa Dresden Art Academy from 1883 until 1889.Hans lerere omfattede Leon Pohle og Ferdinand Pauwels.Pietschmann tilhorte malerkolonien i Goppeln ner Dresden, som specialiserede sig i udendors maleri. Han tilbragte to ar hos Hans Unger i Italien, hvorefter han fortsatte sine studier pa Academie Julian i Paris , hvor han primert beskeftigede sig med livstegning. Han modtog en pris pa verdensudstillingen i Paris i 1900.Derefter bosatte han sig i Dresden igen, hvor han sluttede sig til den forste Dresden-losrivelsesbevegelse ved arhundredskiftet, Dresden Association of Visual Artists.Pietschmann, der fulgte traditionen med kunstnere som Max Klinger og Arnold BOcklin og havde et lignende repertoire, sluttede tilsyneladende ikke de kunstbevegelser, der opstod omkring tidspunktet for forste verdenskrig.Med Oskar Zwintscher Richard Muller , Hans Unger og Sascha Schneider dannede Pietschmann en ""sterk falanks, som ved arhundredskiftet betod Dresdens kunst.""Under pseudonymet""Fr.(Francois)Laubnitz""malede han billeder, der var meget populer som veg kunst udskriver i forste halvdel af det 20. arhundrede.Pietschmann dode i 1952 i Niederpoyritz- distriktet i Dresden og blev begravet pa Hosterwitzer kirkegard.Store dele af Pietschmanns kunstneriske og skriftlige ejendom er i arkivet for Dresden State Art Collections.-https://deda.abcdef.wiki/wiki/Max_Pietschmann.The author conveys a concept of interlacing and breaking boundaries in this painting, and the ideological connotation is very strong. Although the content of the picture seems absurd, it is quite meaningful. The painter uses the tree as a separation to separate two different figures and two different forms of society. The characters in the picture are a man and a woman, and the images of men and women appear in the picture at the same time, often implying the reproduction and inheritance of human beings. The background environment of the whole painting is in nature, which is a reference to the schema of the Garden of Eden. Men play music and women caress flowers. Although the two are engaged in different specific matters, they are both experiencing artistic experience. Since primitive times, people have been creating art in their lives, and the pursuit of beauty has been endless and never stopped. Perhaps the painter also wanted to express the importance of beauty and art in people's lives. Up to now, art and beauty have become indispensable factors in people's lives. The painting style of the whole painting is close to Fauvism, and the painter uses a lot of artistic symbols in primitive art, forming a mysterious and profound aesthetic experience."
ref 7174. This artwork is from a private collection in Hong Kong and will be shipped from there if successfully bid on.