HERMANN SERIENT* (born 1935 in Melk) Encounter, 2020 oil...

Estimate

€2,000 - €4,000

HERMANN SERIENT*
(born 1935 in Melk)
Encounter, 2020
oil and egg tempera/plate, 29,8 x 23,8 cm
signed Serient and dated 2020
verso inscribed Begegnung Öl Eitempera 2020
Provenance: private property Vienna

ESTIMATE °€ 2.000 - 4.000
START € 2.000

Austrian artist of the 20th century. Lives and works in Vienna and southern Burgenland. Completed an apprenticeship as a goldsmith, lived in Vienna in the 1960s as an artist, cartoonist for the Wiener Arbeiterzeitung and jazz musician, and traveled through Europe by car stop. He experimented with homemade instruments, took photographs and made animated films for the ORF. From the 1970s, as a forerunner of the green movement, social and environmental themes in his work. Works in old master technique like the representatives of Magic Realism and the Viennese School of Fantastic Realism Ernst Fuchs, Arik Brauer, Rudolf Hausner and Wolfgang Hutter. Interest in works by Hieronymus Bosch and Pieter Breughel. Grotesque, enigmatic, fairy-tale and mystical elements as in Surrealism. Themes and motifs always related to the present, social criticism and pointing out environmental destruction. Also comic and humorous elements as in the depictions of the vampire, flying witches and fantasy creatures. Luminosity of colors by mixing the pigments, oil paints and egg tempera. 2005 and 2015 exhibitions at the Landesgalerie Burgenland in Eisenstadt.

When Hermann Serient, a young goldsmith and jazz musician from Melk, hitchhiked in the 1950s, financed by engagements as a trombonist and drummer, to see the art of the "old masters" up close in Europe's museums, he was particularly interested for the painting of Hieronymus Bosch or Bruegel, for the handling of the material by Dutch Renaissance painters. Like these, Seriet always uses his own paints, which he does not mix on the palette but applies to the picture support, preferably wood, in many thin layers until he achieves the desired color tone. In 1965, Serient moved to the south of Burgenland, where he completely relocated his life for a few years and where he still lives today. The archaic and hermetic world that he found in the villages of the "Heanzen" appeared to the city dweller Serient as completely new and incomprehensible; however, he quickly made friends personally. The fascination he felt in view of the primitive building forms, the different way of speaking and clothing in every village and last but not least the traditional festivals and rituals, which must have seemed mysterious and bizarre to the outsider, became a main source of inspiration for the artist and also found outside of his famous Heanzen -cycle their precipitation. Originally characterized by caricature and influenced by the expressionism of George Grosz or Alfred Kubin, the densely populated sceneries now showed clear parallels to his new role models Bosch and Bruegel. He was often pigeonholed with the Viennese artists of Fantastic Realism, which Serialt has always rejected. For him, art only has value if it has content and doesn't lose itself in random whimsicality. Thus, series not only took sides for the declining, independent culture of the Heanzen, but increasingly dealt with environmental issues and other political issues.The masks that appear again and again in Serients pictures are not only about the carnivalesque, about exuberant masquerade and mummery, but also about falsehood and hypocrisy, about being and appearance, about the control over the image that others have or should have of you. whimsicality and lovability; silliness and despicableness; Joke and serious argument - these things are not easy to separate in series. Aesthetics plays a special role for the trained goldsmith: the eye-catching colors and details are not ends in themselves, they are not intended to cover anything, but on the contrary serve to uncover or uncover. Once Serient gets the viewer to look at the colors, they may see behind the colorful facade and discover other, less obvious facets and meanings of the scene.